Showing posts with label forest paintings. Show all posts
Showing posts with label forest paintings. Show all posts

Sunday, April 7, 2013

Sancturary In a Room of One's Own

"Mists", watercolor, VClaff, 2013
For one reason or another, the world hasn't felt like a friendly place of late. 
Journeying through these months of grief, I feel like a raw egg without a shell, 
and not as able to let the unconsiouss and lately downright unkind behavior of 
others slide off me. My studio has been a sanctuary of inspiration and solace, 
I am so grateful to have this room of my own. For those of you new to my blog, 
you may not know that I received a grant to build the studio, and my gratitude 
for this gift is ever deepening. (as always, click on the images to see them better)

"Winter Marsh", watercolor, VClaff 2013
I continue to explore the forest paintings with great enthusiasm, experimenting 
with bleeding techniques, layering and both the square and long rectangle formats. 
Each painting unfolds mysteriously as I watch how the first wash layer dries and 
suggests mists or light or something altogether undefineable, which is fine with me. 

"Mystery", watercolor, VClaff 2013
"Winter Trees", watercolor, VClaff 2013
"Trees - study", watercolor, VClaff 2013

Study, watercolor, VClaff 2013


Study 2, watercolor, VClaff 2013


Study 3, watercolor, VClaff 2013

The image below gives you a sense of the scale of the smaller paintings I begin
the day with, and below that, some of the larger pieces on the pinboard. A full 
sheet of watercolor paper is 22 x 30", and the largest I have made these so far. 
(BTW - the paper in the above images is NOT pink... I think I need to re-shoot these!)



Last week I slowed down my production of larger work as I waited for an order of 
watercolor paper to arrive. I took some time to sit outside and listen to the wind, 
watch the sunlight move around the studio, and dream a bit with the stones. 


Pasha and I sat outside the backdoor, finding a melted spot to enjoy the sunshine. 
Warm days but very cold nights has made the snow melt very slow, but I am beginning 
to see the tops of stones long buried. 


I thought I might try to get one of those "Artist in the Studio" pictures, in case I 
ever need one... I'm wearing my favorite wool hat that a friend gave me in graduate 
school many years ago. It seems to be a standard on studio days, and I'm sure you've 
seen it before. 




Today I ventured out into the forest to dump the ash from the wood stove. 
The snow had melted just enough for Pasha and I to walk a bit, avoiding the deeper 
snow still up to my knees. We were called to sit on logs and listen to the joyous singing of chickadees. Pasha, as usual, clambered up a tree and enteratained me as I sat and listened to wind and birdsong and the roar of the distant river, full with spring melt. 













Sitting listening on a mossy log, I was inspired by the texutres and colors and 
noticed a little owl face looking at me from a tree, do you see it?


Pasha went off exploring, but came to my whistle when I found a very large 
paw print in the snow. I must be a bit rusty with my tracking these days, as I 
can't quite identify this track. Its old and a bit melted, but looks maybe like 
a large cat who had long since passed through. 





Just as we were thinking of moving on, a chickadee came to a branch quite close 
to sing a bit. We stayed and listened as more and more birdsongs filled the forest. 
It may be cold and still quite snowy, but the birds are full of enthusiasm and 
I think they may be letting us know that warmer days are just ahead. 





Sunday, March 24, 2013

Deeper Into the Mystery...

"Winter Mists", watercolor,  22 x 30", VClaff 2013
Tucked into my little studio, snowstorms howling outside and 
Pasha sleeping by the stove, the forest whispers its secrets to me. 
The new paintings feel like the integration of many things - things 
I can articulate, and things I cannot. For the first time in many 
years, each painting I make teaches me as well as deepens 
the mystery. Each new piece is a threshold to new 
possibilities in both form and content. 
Its a good place to be.  

small work, untitled, VClaff 2013 
I usually start the day with a few smaller explorations, 
warming up for the larger work. I push the medium with 
these to see what is possible, and what might create 
interesting results. Some get pretty wild. 

small work, untitled, VClaff 2013
small work, untitled, VClaff 2013
After a few of these, I begin a larger piece. Below is the first 
layer of "Winter Mists", the first painting in this post. Its the 
largest size I can go at present, unless I decide to buy a 
roll of watercolor paper. I've found both the long, thin 
format and this large rectangle work for my subject.   

first layer of "Winter Mists" above
"Rising Mists" below, is a painting completed yesterday, which
has me thinking about all sorts of things and reminds me of 
a particular spot by a stream in the forest here. 

"Rising Mists", watercolor, 22 x 30", VClaff 2013
 "Winter Trees" is one I'm interested in... one that seems to 
get to the heart of the stories I'm wanting to tell. 

"White Trees", watercolor, VClaff, 2013

Pasha, as ever, is my constant companion. Having been hesitant 
about the studio when it was first built, he now seems to look forward to 
our days in there. Sometimes, when we are out running around on paths 
and roads to let off steam, he runs there and cries at the door to go in... 
disappointed that we don't.


 He's been a bit adventurous with all the snow, trudging home 
from a short forest expedition over mountains of snow in a storm. 





And the snow falls and falls... burying house and paths 
and car again and again, leaving magic in its wake. 




On the Vernal Equinox, I watched a pink-tinted sky brighten as I 
headed off on my long commute. Light snow and beautiful light 
graced the morning.  


Once out of the forest there was a different kind of light-magic, 
inspiring me the whole way down the hill.